- Why was I the only one laughing? Do other people just not find humor in stilted, artificial dialogue? Not that it was all stilted, mind you, but there were some lines at least as hilarious as "you're breaking my heart" (see: "Star Wars Episode III" or "why George Lucas shouldn't be allowed to write dialogue anymore").
- Why is there such a humongous overlap between manly macho films and blatantly homoerotic films? I'm looking at you, "Top Gun."
- What is it about Frank Miller that inspires directors to fanatically preserve the integrity of his work? Out of the three recent films based in part or in whole on Miller's work ("Batman Begins," "300," and "Sin City"), two have been panel-by-panel transliterations from comic to screen. Meanwhile, you've got the Wachowski brothers replacing Alan Moore's subtlety with a sledgehammer and changing every major theme (ordinary people may be driven to do terrible things--prostitution, fascism, terrorism; anarchy vs. fascism), and you've got Fantastic Four movies that replace Lee/Kirby creations with space clouds. Why can't other (better) comic creators instill some modicum of the respect (if not the fanatical devotion) that Frank Miller receives?
Tuesday, November 13, 2007
So, we watched "300" on the way out to Colorado. I fell asleep at one point, and it was tough to see the laptop from the back of the bus, so I still feel like I haven't really watched the movie, but it got me wondering about several things: